Christy Doran + Fredy Studer + Jamaaladeen Tacuma : "Race the time"

(MGB, 1997)

The Irish-born Doran has lived in Lucerne, Switzerland, since he was a child. His first exposure to music came through his father, a singer of Irish ballads. In the '70s, Doran helped found the band OM, with Fredy Studer, Urs Leimgrumber, and Bobby Burri; the band recorded several times for the Japo/ECM label. Although not particularly well-known in the United States, Doran has played with a good many first-rate American experimental and free jazz musicians, including saxophonist Marty Ehrlich, flutist Robert Dick, trombonist Ray Anderson, and composer Carla Bley, among others. With Studer, Doran initiated a project celebrating the music of Jimi Hendrix; the band also included Amin Ali, Django Bates, and Phil Minton. The group toured and recorded in the mid-'90s. Doran's collaboration with Anderson dates to 1989; the two men combined with drummer Han Bennink to form a trio which performed occasionally through 1997. Doran has led record dates for the hatART, Synton, Intuition, and Planisphere labels. He is a prolific collaborator; in addition to those named above, he's also worked with trombonist Albert Mangelsdorff, clarinetist Louis Sclavis, percussionist Marilyn Mazur, trumpeter Herb Robertson, pianist John Wolf Brennan, bassist Jamaaladeen Tacuma, to name just a few. Doran formed the group New Bag in 1997; from 1998-2000 the band toured the world, playing dates in North and South America, Africa, and Europe. In 2001, the band toured to promote their CD Black Box (On Cue Records), which featured the Indian master drummer Muthuswamy Balasubramoniam. Doran teaches at the Musikhochschule of Lucerne. He's also given many workshops, lectures, and clinics.

Chris Kelsey (All Music)

"...As a trio, however, this group has some power...Doran races through the gamut of jazz rock styles, but with commitment, and his interplay with the formidably agile Studer bears the imprint of many years spend playing together. This trio is a perfect setting for Tacuma's harmonically and rhythmically elastic playing..." (Simon Hopkins, THE WIRE)

HERE